Wednesday, December 18, 2024

The Watchers: Review

By: Myriam Akbar



The Watchers is a 2024 film that I would label as dark fantasy. It’s written and directed by Ishana Night Shyamalan, based on the novel of the same name. The plot follows Mina (played by Dakota Fanning), who finds herself trapped in a bunker with a couple of other people. One of them is a woman named Madeline, who from the beginning stands out. It’s clear that she has more intel than the others and comes off as the leader of the group. She warns Mina of the dangers in the forest, creatures behind the mirrored window that watch them. As you can imagine, the story involves the mystery behind what exactly the creatures are and how the group will find safety.

I will admit that although I enjoyed the film, it was not well received among the cinema community. The most common negative critique that I came across was that the climax was ineffective, due to the “plot twist” providing very little impact or surprise. While that’s completely valid, I believe one of the causes is that the film was promoted as being a psychological thriller, leaning towards horror. It does fit within the genre because the characters are certainly experiencing fear, but I agree that it feels more like a spooky mythical tale. This topic of conversation questions: does horror need to invoke fear for the audience or is it enough for just the characters to be afraid? 

Did I enjoy The Watchers? Yes. Was it scary? No. With a simple concept and subtle twist, I can see why some found it underwhelming. However, aspects of the film like the mystical world-building, bird symbolism, and gothic atmosphere make it certainly worth the watch. 

Unlike many viewers, I was actually satisfied with the explanation of what the creatures were. I don’t think that the answers themselves were intended to be the overall twist, but instead the character who exposes the truth and their connection to it. Despite relying on telling rather than showing, I found the story compelling because there’s a layer of sadness in the details that stuck with me. Without spoiling too much, the creatures had come into contact with humans in the past and violence took place.This resulted in a generational hatred and separation between the groups. As commonly explored in fantasy, fear and discrimination play significant roles. I’m a big fan of scripts that take this approach of making the unrealistic believable to the viewer by tapping into human behavior. 

The reason that Mina is in the forest in the first place, is because her car breaks down as she is traveling to deliver a bird to a zoo. The script plays with aspects of a bird such as wings, cages, the feeling of being trapped to tie together the details in the film. It demonstrates that creatures of all kinds want to be free, to exist as themselves without persecution for doing just that. The gothic atmosphere and mood corresponds with the bird symbolism well. The misty, dim look is both intentional and due to the lack of sunlight because of the creatures’ inability to be in the sun. The audience knows that the characters will not only be free from the creatures if they make it out of the forest, but will enter a space where they can let the light shine on them.

What I would have done differently with this film is outwardly intertwine the explanation throughout the course of scenes. The type of creatures we see in The Watchers are not new to the eyes of cinema fans. We’ve read and seen them before which may have contributed to the negative reviews. I also thought when I watched the trailer that I would be transported to a completely unfamiliar world with unfamiliar inhabitants. The type is not enough to hide within a twist, so I would have avoided attempting to shock the audience with it. I would have instead given it away early on and rely on other ways of shocking the audience. For example, character deaths and betrayal. In order for this to be effective, the dialogue and character interactions would need to be more effective. 

With its highs and lows, The Watchers took flight this year and only landed for some. If you’re a fan of M. Night Shyamala’s work, gothic fantasy, or just want to see the talents of Dakota Fanning–check this film out!


Wednesday, December 11, 2024

The Devil Conspiracy: Review

By: Myriam Akbar

The Devil Conspiracy is a 2022 sci-fi horror film, written and produced by Ed Alan and directed by Nathan Frankowski. Despite it being generally overlooked and criticized, I had a blast watching it. To summarize without spoiling, the plot takes place in the near future where cloning technology has reached its highest success. A group of scientists use this tech to bring back prominent people from history, including religious figures. 



There’s several stories that connect throughout the course of the film. Part is similar to Rosemary’s Baby and The Omen, while the other part is action-packed with angels and demons battling. Because there’s so much going on, the script organization and pacing is distracting. The acting wasn’t exceptional but decent, likewise the dialogue. I imagine the main issue viewers had with the film is the religious imagery and themes, although I viewed them as almost satirical. 

Overall, I find The Devil Conspiracy to be a unique addition to the religious horror sub-genre. The “second coming” being at the hands of humans transcends other films that explore a human being chosen to birth the Anti-Christ. There’s also some ridiculous body horror and subtle twists that made the watch worth it for me.

Sunday, December 8, 2024

Going in Blind: Strange Darling Review

By: Myriam Akbar

About two years ago I realized that movie trailers often give away too much, so I began only watching them every now and then. Because of this, I had little-to-no information about 2024's Strange Darling prior to watching in theaters. I saw less than a minute of a non-spoiler review the day after its release. The creator said it was one of his favorites of the year but “You have to go in blind.” So, I closed the app and bought a ticket. I didn’t want to hear another word or start to analyze the poster in the green screen background. I recognized a face, though. Will Fitzgerald from MTV: Scream the TV Series! I’ve been a big fan of hers since that show and think her performance in this film solidified her as a horror scream queen. I was genuinely impressed by this film, particularly structural choices in the script. It’s rightfully celebrated and I believe for me, “going in blind” contributed to its eminence. 


Divided in chapters, the story kept me eagerly hooked with its non-linear plot formation. Every time I thought I understood the direction of the story, I was wrong. I could summarize the plot in simple terms: a game of cat and mouse, between a man and woman. Throughout the film, you must figure out who is actually the cat and who is the mouse. The thing is, this description doesn’t capture how enthralling the watch is. 


The film poses itself as a dramatization of an American serial killer, so the viewer is given just enough information for them to theorize. I believe the outstanding acting performances and unexpected nature of the non-linear storytelling make it a stand-out thriller of 2024. While the plot twists aren’t groundbreaking, the process to which we arrive at those conclusions is a roller-coaster ride you won’t want to get off. It plays on your biases and triggers, which makes for a memorable theater experience. It’s freaky, fresh, and ferocious!

Photo Cred: Wikipedia.com


Just One More Time: The Substance Review

By: Myriam Akbar

    I knew nothing more than a poster and tiny teaser of Demi Moore in a mirror. I learned from my experience with Strange Darling how effective “going in blind” can be. The fierce look in her eyes wiping off lipstick, stretching and smearing it across her face. I immediately bought my ticket and headed to the Theater. 

    The Substance is a 2024 body horror film about a woman who is struggling with the fading of her celebrity career. She uses a black market drug to obtain a more youthful appearance. It works but it’s not what she expected and there’s some ridiculously wild side effects.

    There’s something so special about going in with no expectations and leaving with all of your non-expectations met. Exceeded, even. Some films are just that good. Three words: symbolic, sexy, and sickening. The Substance tackles various themes: womanhood, the difficult aspects of aging, the entertainment industry’s unrealistic expectations of women, drug and cosmetic addiction, misogyny etc. I believe the serious nature of the thematic concerns is well balanced with bright colors, dance numbers, and spunky dialogue. Those elements, as well as humor and some unhinged body horror scenes. Considering how bonkers the imagery became towards the end, I did take the story less seriously. There's an unrealistic nature that took me out a bit. Additionally, I think the film ran about 20 minutes too long. There’s a few scenes that could have been removed or shortened, without altering the impact. I find that the pacing of a film stood out to me, in the way that the overall story structure does. These are two of my negative marks; however, the flaws don’t overshadow the impact The Substance currently has on the industry. An iconic addition to cinema!

Photo Cred: Wikipedia.com


Cracked Porcelain: Dolly Review

By: Myriam Akbar Dolly is an indie slasher film written, produced, and directed by Rod Blackhurst. It’s based on his 2022 short film, Babygi...